Following the 2021 releases of Fireball XL5 and SPACE: 1999 YEAR 1 & YEAR 2 this is the latest edition in the Silva Screen series exploring the musical worlds of Gerry Anderson, to be released on 19th November in physical and digital formats.
Together with Fanderson, Silva Screen Records is championing Barry Gray’s incredible musical opus and is releasing the material in a series of physical and digital albums and vinyl records. Barry Gray’s complete musical opus is still not commercially available in its entirety. Fanderson, dedicated to the productions of Gerry Anderson, has gained access to all Barry Gray's original studio tapes and have undertaken a major re-issue project.
With the success of Thunderbirds, Gerry and Sylvia Anderson had proved they had hit upon a winning formula to wow audiences - their mixture of inventive special effects and puppetry: Supermarionation. First screened in 1967, Captain Scarlet And The Mysterons, was written as a more mature series, set against an ongoing war with a forboding unseen nemesis.
Taking his lead from the series premise, Captain Scarlet inspired composer Barry Gray to explore an equally mature musical palette to what he had utilised for previous Supermarionation series. With subtle string arrangements replacing the bombast of Thunderbirds’ urgency, the original music composed for Scarlet was suitably more atmospheric and at times more sober than its predecessors. The alien nature of the Mysterons themselves saw Gray return to the experimental electronic work he had composed for Fireball XL5 to create something suitably other worldly.
Barry Gray was a classically trained composer and a versatile musician and was amongst the first composers to use electronic instruments in music for television. Equally at ease composing for big ensembles, electronica, military bands and jazz ensembles, Barry Gray is best known for creating the music for Gerry and Sylvia Anderson's Supermarionation television series Fireball XL5, Thunderbirds, UFO, and Space: 1999 and his influence on the TV score genre is still evident today.
Jeremy [Six Strings]