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Showing posts with label Hollywood Records. Show all posts
Showing posts with label Hollywood Records. Show all posts

Hollywood Records: "WELCOME TO EARTH" music by Daniel Pemberton


Disney+ original series from National Geographic, Hollywood Records announced that the Original Series Soundtrack with music by Academy Award®-nominated and Emmy Award®-winning composer Daniel Pemberton (The Trial of The Chicago 7, Spider-Man: Into the Spider-Verse) will release Friday, December 10. Known for his innovative and exciting scores, Pemberton recently won a Critics Choice Award® for Best Original Score for The Rescue and was named Film Composer of the Year in 2021 by both the World Soundtrack Awards and the international film music critics association IFMCA. Pemberton, who has composed music for some of today’s top film luminaries including Ridley Scott, Aaron Sorkin, and Danny Boyle, reteamed with Academy Award®-nominated filmmaker Darren Aronofsky for Welcome to Earth, and had this to say about the project:
 
“In the same way that in Welcome to Earth Will Smith explored some of the most unexpected parts of our planet, I wanted the music to explore some of the most unexpected worlds of sound. The soundtrack had to feel different and unexpected so, like the series itself, you could experience the world in a way you have never seen or heard before. I tried to fuse a vast range for different sounds from all over the globe together - from pulsing electronics to sampled recordings of water, ancient flutes to unusual vocals, the sounds of wildlife with the rhythms of nature - to create a unique sonic palette as rich, visceral and absorbing as the environments Will Smith encounters. I hope that, without even leaving the house, this album can take the listener on their own adventure to some of the most amazing places on this planet. After One Strange Rock it’s been fantastic to re-team with Darren Aronofsky and the team at Nutopia to go on another adventure together with Welcome to Earth.”  - Daniel Pemberton

About Welcome to Earth: It might seem humans have mapped every inch of our planet’s surface, but look closer and you’ll discover that there is still so much more to uncover — the age of exploration is far from over! Welcome to Earth, a Disney+ original series from National Geographic, follows two-time Academy Award® nominee Will Smith on an extraordinary, once-in-a-lifetime adventure around the world to explore Earth’s greatest wonders and reveal its most hidden secrets. Throughout the six-part limited series produced by visionary Academy Award®-nominated filmmaker Darren Aronofsky, Protozoa Pictures, Jane Root’s Nutopia and Westbrook Studios, Will is guided by elite explorers on an awe-inspiring journey, getting up close and personal with some of the most thrilling spectacles on the planet — from volcanoes that roar in silence to deserts that move beyond our perception to animal swarms with minds of their own. Combining breathtaking cinematography with Will's boundless curiosity and enthusiasm, the blockbuster series is an exciting, multisensory ride through Earth’s most mind-bending portals.
 

Daniel Pemberton is an Academy Award-nominated and Emmy winning composer who was named Film Composer of the Year in 2021 by both the World Soundtrack Awards and the international film music critics association IFMCA. He has regularly been cited as one of the most exciting and original new voices working in modern film scoring today. Comfortable composing for everything from rock bands to symphonic orchestras, record-scratchers to jazz quintets, Pemberton’s innovative scores have consistently been singled out for critical acclaim. His credits include both award winning blockbuster films such as Spider-Man: Into the Spider-Verse, The Trial Of The Chicago 7, Birds of Prey, Enola Holmes and Ocean’s Eight as well as acclaimed documentaries such as The Rescue (for which he won the Critics Choice Award® for Best Original Score last month) and the powerful Paralympics documentary “Rising Phoenix,” for which Pemberton won an Emmy Award for Best Music Direction.
 
Pemberton has scored projects for the some of the most legendary names in cinema, amongst them Ridley Scott (All the Money in the World, The Counselor), Danny Boyle (Yesterday, Steve Jobs), Aaron Sorkin (The Trial of the Chicago 7, Being The Ricardos), Darren Aronofsky (“One Strange Rock”), Edward Norton (Motherless Brooklyn), Louis Leterrier (“The Dark Crystal: Age of Resistance”) and Guy Ritchie (The Man From U.N.C.L.E., King Arthur: Legend of the Sword).
 
He received Golden Globe nominations for his neo-noir score to Motherless Brooklyn and his mix of opera and electronics for Danny Boyle’s Steve Jobs, as well as nods for Best Original Song for “Hear My Voice” (performed and co-written by Celeste) from Aaron Sorkin’s The Trial of the Chicago 7 and “Gold” (performed and cowritten by Iggy Pop) from the Stephen Gaghan film of the same name. He was also recently nominated for an Academy Award for “Hear My Voice.”
 
Disney+ is the dedicated streaming home for movies and shows from Disney, Pixar, Marvel, Star Wars, National Geographic, and more. As part of Disney’s Media and Entertainment Distribution segment, Disney+ is available on most internet-connected devices and offers commercial-free programming with a variety of original feature-length films, documentaries, live-action and animated series and short-form content. Alongside unprecedented access to Disney’s incredible library of film and television entertainment, the service is also the exclusive streaming home for the latest releases from The Walt Disney Studios. Disney+ is available as part of a bundle offer that gives subscribers access to Disney+, Hulu (ad-supported), and ESPN+. Visit DisneyPlus.com to subscribe and/or learn more about the service.
 
National Geographic Partners LLC (NGP), a joint venture between The Walt Disney Company and the National Geographic Society, is committed to bringing the world premium science, adventure and exploration content across an unrivaled portfolio of media assets. NGP combines the global National Geographic television channels (National Geographic Channel, Nat Geo WILD, Nat Geo MUNDO, Nat Geo PEOPLE) with National Geographic’s media and consumer-oriented assets, including National Geographic magazines; National Geographic studios; related digital and social media platforms; books; maps; children’s media; and ancillary activities that include travel, global experiences and events, archival sales, licensing and e-commerce businesses. Furthering knowledge and understanding of our world has been the core purpose of National Geographic for 133 years, and now we are committed to going deeper, pushing boundaries, going further for our consumers … and reaching millions of people around the world in 172 countries and 43 languages every month as we do it. NGP returns 27 percent of our proceeds to the nonprofit National Geographic Society to fund work in the areas of science, exploration, conservation and education. For more information visit natgeotv.com or nationalgeographic.com, or find us on Facebook, Twitter, Instagram, YouTube, LinkedIn  and Pinterest.

Jeremy [Six Strings]

Hollywood Records: "WEST SIDE STORY" for a new generation.


Hollywood Records is pleased to announce the release dates for the soundtrack from the highly-anticipated film “West Side Story,” directed by Academy Award® winner Steven Spielberg, from a screenplay by Pulitzer Prize and Tony Award® winner Tony Kushner. “West Side Story” tells the classic tale of fierce rivalries and young love in 1957 New York City. From 20th Century Studios, The Walt Disney Company will release “West Side Story” in U.S. theaters on December 10, 2021.
 
“West Side Story” has been adapted for the screen from the original 1957 Broadway show. Original choreography by Jerome Robbins, based on the stage play, book by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim, play conceived, directed and choreographed by Jerome Robbins, lyrics by Stephen Sondheim, music by Leonard Bernstein.
 
Spielberg said, “I dedicated this movie to my father, but it was my mother's love of music, combined with my insatiable appetite to understand everything about movie making, that led me to start collecting motion picture soundtrack albums when I was young. I loved the ‘West Side Story’ cast album from the first time I listened to it. As a kid I could sing every one of its songs by heart – and I did sing them, until I wore out the patience of my entire family. The score feels like it's always been part of me, and I believe that this is the greatest music ever written for musical theater. My sincere hope is that young people out there find this album and fall in love with it as hard as I did.”
 
The West Side Story Original Motion Picture Soundtrack features 21 songs from the film and will be released in both standard digital and physical (CD and vinyl) configurations, as well as a digital release in Dolby Atmos Music – a new technology placing the listener inside the song in a spatial way, revealing every detail of the music with unparalleled clarity and depth. Both digital versions are set for release on Dec. 3. The CD will be available on Dec. 10 and can be pre-ordered here; the vinyl will be available in early 2022. Both physical versions will include liner notes by “West Side Story” Music Consultant, Oscar®-winning composer John Williams (“Schindler’s List,” “E.T. the Extra-Terrestrial,” “Star Wars,” “Jaws,” “Fiddler on the Roof”).
 
This re-imagining of the beloved musical stars Ansel Elgort (Tony), Ariana DeBose (Anita), David Alvarez (Bernardo), Mike Faist (Riff), Brian d’Arcy James (Officer Krupke), Corey Stoll (Lieutenant Schrank), Josh Andrés Rivera (Chino), with Rita Moreno (as Valentina, who owns the corner store in which Tony works) and introducing Rachel Zegler (María). Moreno – one of only three artists to be honored with Academy®, Emmy®, GRAMMY®, Tony® and Peabody Awards – also serves as one of the film’s executive producers.
 
Bringing together the best of both Broadway and Hollywood, the film’s creative team includes Kushner, who also served as an executive producer; Tony Award® winner Justin Peck, who choreographed the musical numbers in the film; renowned Los Angeles Philharmonic conductor and GRAMMY® Award winner Gustavo Dudamel, who helmed the recording of the iconic score;
Academy Award®–nominated composer and conductor David Newman (“Anastasia”), who arranged the score; Tony Award®–winning composer Jeanine Tesori (“Fun Home,” “Thoroughly Modern Millie”), who supervised the cast on vocals; and GRAMMY®-nominated music supervisor Matt Sullivan (“Beauty and the Beast,” “Chicago,” “Hairspray”), who serves as executive music producer. The film is produced by Spielberg, p.g.a., Academy Award®–nominated producer Kristie Macosko Krieger, p.g.a., and Tony Award®–winning producer Kevin McCollum.
 
Gustavo Dudamel—renowned music director of the Los Angeles Philharmonic, the National Youth Orchestra of Venezuela and the Paris Opéra—was engaged to conduct the orchestra for music recordings. The music was performed by the New York Philharmonic with additional music performed by the Los Angeles Philharmonic. David Newman, a celebrated arranger and conductor who has worked on more than 100 movies, handles both arrangements, as well as some conducting. Dudamel said, “‘West Side Story,’ for me, as for all of us in the music world, is part of my DNA. Every single melody in it is so natural and easy for anyone to process. Naturally, it felt right to work with the New York Philharmonic, Bernstein’s own orchestra, and have the musicians be part of the new chapter of this masterpiece.”

Soundtrack Album Produced by David Newman, Matt Sullivan & Jeanine Tesori
Executive Soundtrack Producers: Steven Spielberg and Kristie Macosko Krieger
Music Arranged by David Newman
Music Supervisor: Matt Sullivan
Supervising Vocal Producer: Jeanine Tesori
 
For more information on “West Side Story,” please visit https://www.westsidestory.com/2021-film.

Jeremy [Six Strings]

DisneyPlus/Hollywood Records: "THE RESCUE" music by Daniel Pemberton and Original Song by Aloe Blacc


Disney+ announced today that “The Rescue,” the latest feature documentary from Academy Award®-winning directors and producers E. Chai Vasarhelyi and Jimmy Chin, and National Geographic Documentary Films, will premiere on the service on Friday, December 3 in English-speaking territories, followed by a worldwide streaming release in most territories later in the month.
 
Hollywood Records also released today the original song “Believe,” from Grammy-nominated singer/songwriter Aloe Blacc, co-written with Gary Go and Daniel Pemberton, along with the full Original Motion Picture Soundtrack from Academy Award-nominated composer Daniel Pemberton. Pemberton recently won the 2021 Critic’s Choice Documentary Award for Best Score for his work on the film.
 
“The Rescue” premiered to rave reviews at the 2021 Telluride Film Festival and went on to win the Audience Award for Best Documentary at the 2021 Toronto International Film Festival. Other audience awards won on the festival circuit include Camden Film Festival, Mill Valley Film Festival, Bend Film Festival, Hot Springs Documentary Film Festival and several others. The film premiered in theaters on October 8, 2021 and is one of only three documentaries to cross the $1M mark in theatrical ticket sales at the box office this year. “The Rescue” currently has a 100% Audience Score on Rotten Tomatoes and E. Chai Vasarhelyi and Jimmy Chin were also named Best Directors at the 2021 Critic’s Choice Documentary Awards.

"At its core, 'The Rescue' is a story about a collection of people of all different nationalities, languages and cultures working together to achieve a common goal," said Chai Vasarhelyi and Jimmy Chin. "In making the film, we were reminded of the beauty of humanity, especially after the last several years where the world has seemed more divided than ever before. We are thrilled to be able to bring the film to audiences across the country and around the world through Disney+ and allow viewers everywhere to discover this extraordinary story of human triumph and compassion for themselves."
 
In the summer of 2018, a short outing after soccer practice became a two-week saga of survival and a story that soon captured the world’s attention. Monsoon rains had trapped twelve boys and their coach in a labyrinthian cave in Northern Thailand, and within days thousands of people had descended on the area to try to help. But were the boys even still alive? Anticipation and anguish hung in the air until they were found, trapped in a pitch-black chamber two kilometers deep into the cave. The next question—immediate, obvious, and confounding—was how to get them out.
 
“The Rescue” is a dramatic and emotional retelling of one of the most perilous and extraordinary rescues in modern times. With exclusive interviews and a wealth of never-before-seen material, the film takes us into the infamous cave, highlights the efforts of the Royal Thai Navy SEALs and US Special Forces, and details the expert cave divers' audacious venture to dive the boys to safety. The film keeps viewers on the edge of their seats as it shines a light on the high-risk world of cave diving, the astounding courage and compassion of the rescuers, and the shared humanity of the international community that united to save the boys. In the tradition of their earlier films “Free Solo” and “Meru,” Vasarhelyi and Chin document a profoundly daring physical feat, laying bare the details of the seemingly impossible rescue.
 
The film’s award-winning full soundtrack from composer Daniel Pemberton, along with the original song titled “Believe” from singer-songwriter Aloe Blacc were released today from Disney Music. Pemberton has been regularly cited as one of the most exciting and original new voices working in modern film scoring today. In 2021, he received his first Oscar nomination for Best Original Song for his work on “Hear My Voice” co-written with Celeste, in addition to winning Film Composer of the Year by the World Soundtrack Academy. Constantly working with some of the most renowned names in the industry Pemberton has scored projects for the likes of Danny Boyle (“Yesterday,” “Steve Jobs”), Ridley Scott (“All the Money in the World,” “The Counsellor”) Aaron Sorkin (“The Trial of the Chicago 7,” “Being The Ricardos”), and Darren Aronofsky (“Welcome to Earth”, “One Strange Rock”.)
 
Said Pemberton, “’The Rescue’ is an incredibly intense and thrilling cinematic experience. However, the directors Jimmy and Chai wanted the audience to leave with a sense of release and hope and tasked us with writing a song that was unashamedly optimistic and that captured, in their words, the idea you could ‘believe in the impossible’. There are two key moments in the film we all found ourselves drawn to - when the UK divers first encounter the boys in the cave, Rick Stanton simply says the word ‘believe’ over and over again in surprise and shock, and later when US Marine Derek Anderson asks ‘what does the impossible look like?’. We all wanted a song that captured that feeling, that elation, and that moment of hope when all thirteen boys, against all odds, were brought out alive. It’s been a fantastic journey working alongside Gary Go and Aloe Blacc to create something that hopefully represents that very unique moment of global positivity and optimism.”
 
Aloe Blacc, the singer/songwriter of “Believe” added, “The world's biggest problems are only as complicated as our willingness to join as a global community to solve them. I believe that together we can overcome any obstacle.”

National Geographic Documentary Films previously released the Academy Award®, BAFTA and seven-time Emmy Award-winning film “Free Solo” and the Academy Award®-nominated film “The Cave.” Other critically acclaimed films under the banner include Ron Howard’s “Rebuilding Paradise”; Sundance Audience Award winners “Science Fair” and “Sea of Shadows”; Emmy winners “LA 92” and “Jane,” both of which were included in the top 15 documentaries considered for an Academy Award in 2017; and Dupont Award winner “Hell on Earth: The Fall of Syria and the Rise of ISIS.
Jeremy [Six Strings]

Hollywood Records: "ANTLERS" music by Javier Navarrete


Antlers is a 2021 supernatural horror film directed by Scott Cooper. It follows a school teacher and her sheriff brother in a small Oregon town, where they discover one of her students is harboring a supernatural creature. The film stars Keri Russell, Jesse Plemons, Jeremy T. Thomas, Graham Greene, Scott Haze, Rory Cochrane, and Amy Madigan. The screenplay, written by C. Henry Chaisson, Nick Antosca, and Cooper, was adapted from Antosca's short story "The Quiet Boy," originally published in Guernica magazine in January 2019.

The project was announced in July 2018 with Cooper attached to direct, and the cast joining the next month. Filming took place in British Columbia in October and November 2018.

Antlers premiered at Beyond Fest in October 11, 2021, and was theatrically released in the United States on October 29, 2021, by Searchlight Pictures, after being delayed twice from an April 2020 release date due to the COVID-19 pandemic. The film received mixed reviews from critics, who praised the cinematography, acting and the horror elements, but lamented the screenplay's underdeveloped themes. 
 
Javier Navarrete (born 1956 in Teruel, Spain) is a Spanish film composer, best known for composing the score to Pan's Labyrinth (El Laberinto del Fauno, 2006). Javier built the entire soundtrack around a simple lullaby tune heard in the film. The score also got him an Academy Award nomination. Javier's first known composition was for a short movie 'Mayumea' in 1986. Navarrete also has composed the scores for Whore, Tras el cristal, Dot the i, along with various other Spanish films. His other noticeable scores include 2009's Cracks, 2012's Byzantium and the U.S productions, Mirrors, Wrath Of The Titans and Inkheart. His score for the HBO film Hemingway & Gellhorn won him an Emmy Award.
 
Jeremy [Six Strings]

Hollywood Records: "DOPESICK" music by Lorne Balfe


Lorne Balfe (Mission: Impossible – Fallout, Black Widow, The LEGO Batman Movie, His Dark Materials, Bad Boys for Life) has recently been scoring the new Hulu limited series Dopesick. The show is written by Danny Strong (Recount, Game Change, Empire) and stars Michael Keaton,  Peter Sarsgaard, Michael Stuhlbarg, Kaitlyn Dever, Rosario Dawson, Will Poulter and John Hoogenakker. The 8-part drama is inspired by the New York Times bestselling book Dopesick: Dealers, Doctors, and the Drug Company That Addicted America by Beth Macy and examines how one company triggered the worst drug epidemic in American history. 
 
Strong, Macy and Keaton are also executive producing the 20th Television production with John Goldwyn (Dexter, MacGruber), Warren Littlefield (The Handmaid’s Tale, Fargo), Karen Rosenfelt (The Twilight Saga, Percy Jackson & the Olympians: The Lightning Thief), as well as Barry Levinson (Rain Man, Good Morning Vietnam) who also directed the first two episodes. Amanda Krieg Thomas serves as the project’s music supervisor.
 
Jeremy [Six Strings]

Hollywood Records: "The Ron’s Gone Wrong" music by Henry Jackman


The Ron’s Gone Wrong Original Motion Picture Soundtrack album is available today from Hollywood Records.   The soundtrack features two end-title track songs: the feel-good single “Sunshine” by Liam Payne and the upbeat “New Friends” by Glass Animals frontman Dave Baley as well as score by Henry Jackman. “Ron’s Gone Wrong,” from 20th Century Studios and Locksmith Animation, opens in U.S. theaters nationwide on October 22.

Composer Henry Jackman’s role in the film-making process was a very collaborative one. “I absolutely loved working with Henry,” says co-director/co-writer/executive producer Sarah Smith. “He so understood the ideas and the emotions of the movie, and when you talk to him about connections in the story, he instantly sees how to weave in themes and sounds to support that. I mean really instantly—he starts playing you new score on the spot!”

Smith continues, “He came in with great ideas for digital sounds he often uses, to support the B*Bot story, but I asked him for both a classic ‘high school movie’ vibe and the orchestral scale and emotion of ‘E.T.’ on top! Henry loves an unreasonable challenge, and he absolutely smashed it. Most important of all, as I watch scenes at the end of the film carried on a wave of his music, I just feel his heart and soul poured into the emotions of the story. It’s a wonderful score.”

About Liam Payne
The Platinum-selling artist has sold more than 23 million singles and over three million albums as a solo artist since One Direction. He released his debut solo album, LP1, in December 2019 on Capitol Records/Universal Music Canada which included the smash hit singles "Strip That Down," "Polaroid" and "Familiar." He has been streamed a total of 5.1 billion times.

About Henry Jackman
Henry Jackman has established himself as one of today’s top composers by fusing his classical training with his experience as a successful record producer and creator of electronic music. Jackman is known for his scores for Marvel Studios’ “The Falcon and the Winter Soldier,” Showtime’s “The Comey Rule,” and the Russo Brothers’ “Cherry.” Other credits include “Jumanji: The Next Level,” “Pokemon: Detective Pikachu,” the Oscar®-nominated animated feature “Ralph Breaks the Internet,” “Captain America: Civil War,” “Kong: Skull Island,” “Jack Reacher: Never Go Back,” “Big Hero 6” and “Kingsman: The Golden Circle.”

About “Ron’s Gone Wrong”
20th Century Studios and Locksmith Animation’s “Ron’s Gone Wrong” is the story of Barney, a socially awkward middle-schooler, and Ron, his new walking, talking, digitally connected device, which is supposed to be his “Best Friend out of the Box.” Ron’s hilarious malfunctions set against the backdrop of the social media age launch them into an action-packed journey in which boy and robot come to terms with the wonderful messiness of true friendship.
 
“Ron’s Gone Wrong” features the voices of Zach Galifianakis (“A Wrinkle in Time”), Jack Dylan Grazer (“Shazam!”), Olivia Colman (“The Crown”), Ed Helms (“The Office”), Justice Smith (“Jurassic World: Fallen Kingdom”), Rob Delaney (“Deadpool 2“), Kylie Cantrall (“Gabby Duran and the Unsittables”), Ricardo Hurtado (“The Goldbergs”), Marcus Scribner (“Black-ish”), Thomas Barbusca (“Chad”). The film is directed by Sarah Smith (“Arthur Christmas”) and Pixar veteran Jean-Philippe Vine (story artist on “Cars 3” and “The Good Dinosaur”) with Octavio E. Rodriguez (story artist on “Coco” and “The Incredibles 2”) co-directing. The script is written by Peter Baynham (“Arthur Christmas,” “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan,” “Borat: Subsequent Moviefilm”) & Smith. Julie Lockhart (“Shaun the Sheep Movie,” “The Pirates! Band of Misfits”), also a co-founder of Locksmith and Lara Breay produce, with Locksmith chairman Elisabeth Murdoch, Smith and Baynham serving as executive producers.

Watch Ron’s Gone Wrong Official Trailer here:  https://youtu.be/GEU7C4_E6pc
 
Jeremy [Six Strings]

Marvel Music/Hollywood Records: "HIT-MONKEY" music by Daniel Rojas


Marvel Music/Hollywood Records has released the digital soundtrack from the Hulu Original Series “Marvel's Hit-Monkey” today. The album features an original score composed and produced by Daniel Rojas (“Marvel’s M.O.D.O.K.,” “Kipo and the Age of Wonderbeasts,” “Downsizing”). All 10 episodes of “Marvel’s Hit-Monkey” are now streaming on Hulu.
 
Commenting on his score, Rojas said, “The music on Hit-Monkey is really special to me because it allowed me to blend a lot of scoring styles, from subtle electronic undertones to big orchestral action sequences, and infuse them all with a modern production twist - which is what I love to do. There’s a lot of comedy in it but the show feels very cinematic and Marvel-worthy in scope, so that gave me the chance to write pretty big and aggressive music at times. It was also a lot of fun to find ways to complement all the great songs that Kier Lehman and James Cartwright found for the show, which go from old Japanese tunes to grunge and punk-rock."
 
Monkey’s peaceful existence in the Japanese alps is shattered by the tragic loss of his tribe—setting him on a course of revenge and violence in the very world of humans that are responsible for his plight. He’s a killer of killers with a bit of a rage problem. Throughout the series, he must learn to navigate the struggle between his inherently sweet nature and the evil acts he must commit. It’s through his complicated friendship with the Ghost of Bryce (a former assassin and now, Monkey’s unwanted conscience), that will determine whether Monkey will be consumed by his rage or channel it for good. This is the story of Hit-Monkey.
 
Josh Gordon and Will Speck (“Blades of Glory,” “The Switch,” “Office Christmas Party”) serve as creators, showrunners, and executive producers; the series is co-executive produced by Keith Foglesong, Matt Thompson, and Neal Holman; and produced by Duffy Boudreau, Mollie Brock, and Marcus Rosentrater.
 
The series stars George Takei (“Shinji”), Jason Sudeikis (“Bryce”), Olivia Munn (“Akiko”) Ally Maki (“Haruka”), Nobi Nakanishi (“Ito”) and Fred Tatasciore (“Monkey”).
 
Watch the “Hit-Monkey” trailer here: https://youtu.be/xAITKKBJBxM 
 
Jeremy [Six Strings]

Hollywood Records: "HOME SWEET HOME ALONE" music bt John Debney


20th Century Studios’ Home Sweet Home Alone is an all-new adventure comedy from the beloved holiday film franchise. Max Mercer is a mischievous and resourceful young boy who has been left behind while his family is in Japan for the holidays. So, when a married couple attempting to retrieve a priceless heirloom set their sights on the Mercer family’s home, it is up to Max to protect it from the trespassers…and he will do whatever it takes to keep them out. Hilarious hijinks of epic proportions ensue, but despite the absolute chaos, Max comes to realize that there really is no place like home sweet home.
 
A Disney+ Day premiere, Home Sweet Home Alone, will debut November 12, 2021, exclusively on the streaming service.
 
John Debney is the ultimate film-music character actor. In equal demand for family films such as “Elf” and adventure films like “Iron Man,” he received an Academy Award® nomination for best original score for the powerful and poignant “The Passion of the Christ.”
 
Debney is an agile jack-of-all-genres, composing for comedies (“Bruce Almighty”), sci-fi action (“Predators”), horror (“Dream House”), and romance (“Valentine’s Day”) with the same confidence and panache. Debney is also known for his work in such films as “The Princess Diaries,” “Sin City,” “Liar Liar,” “Spy Kids,” “No Strings Attached,” “The Emperor’s New Groove,” “I Know What You Did Last Summer” and “Hocus Pocus.”
 
Debney’s work also includes Disney’s “The Jungle Book,” directed by Jon Favreau; Fox’s “Ice Age: Collision Course,” directed by Mike Thurmeier; Twentieth Century Fox’s award-winning musical “The Greatest Showman”; Paramount Pictures’ family adventure feature “Dora and the Lost City of Gold”; and the Warner Bros. comedy “Isn’t It Romantic,” starring Rebel Wilson. Most recent for Debney is “Come Away,” directed by Brenda Chapman, starring Angelina Jolie and David Oyelowo, and Netflix’s first original live-action musical “Jingle Jangle: A Christmas Journey,” for which his score was shortlisted for the 93rd Academy Awards. Upcoming releases include Paramount’s “Clifford the Big Red Dog,” Lionsgate’s Kurt Warner story, “American Underdog,” and Jennifer Lopez’s new romantic comedy, “Marry Me.”
 
Born in Glendale, Calif., Debney studied composition at the California Institute of the Arts, when he went to work writing music and orchestrating for Disney Studios and various television series. He won his first Emmy® in 1990 for the main theme for “The Young Riders.” He has since won three more Emmys (“Sea Quest DSV”) and received nominations for a total of six. Debney has scored numerous episodes of “The Orville” for Seth MacFarlane, including conducting each recording session with a nearly 100-piece orchestra. His foray into videogame scoring—2007’s “Lair”—resulted in a BAFTA nomination and a best videogame score award from the International Film Music Critics Association.
 
Debney has collaborated with acclaimed directors as diverse as Robert Rodriguez, Garry Marshall, Mel Gibson, the Farrelly Brothers, Jon Favreau, Jim Sheridan, Ivan Reitman, Peter Chelsom, Rob Cohen, Brian Robbins, Tom Shadyac, Sam Raimi, Adam Shankman, Howie Deutch, Renny Harlin, Peter Hyams, and Kenny Ortega. In 2005 he was the youngest recipient of ASCAP’s Henry Mancini Career Achievement Award.
Jeremy [Six Strings]

Hollywood Records: "The Eternals" music by Ramin Djawadi


The Eternals Original Score Soundtrack, featuring score composed and produced by Emmy®-winning composer Ramin Djawadi (“Reminiscence,” “Westworld,” “Game of Thrones”), is available today.  Marvel Studios’ “Eternals” opens in U.S. theaters on Nov. 5.
 
In addition to the previously released score cues, “Eternals Theme” and “Across the Oceans of Time,” the film also features the original song “Nach Meri Heri” (Dance My Hero), performed by 19-year-old Australian singer/songwriter Celina Sharma.
 
Djawadi, a two-time Emmy® Award winner and three-time Grammy® nominee, resembles a “musical chameleon.” Versatility has defined his career, including celebrated scores for “Game of Thrones,” “Iron Man,” “Westworld,” “Pacific Rim,” “Jack Ryan,” “A Wrinkle in Time,” “Clash of the Titans,” “Great Wall” and “Prison Break.”

Djawadi has also composed scores for blockbuster video games, including “New World,” “Gears 5,” “Gears of War 4” and “Medal of Honor.” He recently released his original music for “Surreal,” the water feature at Expo 2020 in Dubai.
 
Marvel Studios’ “Eternals” follows a group of heroes from beyond the stars who had protected the Earth since the dawn of man. When monstrous creatures called the Deviants, long thought lost to history, mysteriously return, the Eternals are forced to reunite in order to defend humanity once again.
 
The outstanding ensemble cast includes Gemma Chan as humankind-loving Sersi, Richard Madden as the all-powerful Ikaris, Kumail Nanjiani as cosmic-powered Kingo, Lia McHugh as the eternally young, old-soul Sprite, Brian Tyree Henry as the intelligent inventor Phastos, Lauren Ridloff as the super-fast Makkari, Barry Keoghan as aloof loner Druig, Don Lee as the powerful Gilgamesh, with Kit Harington as Dane Whitman, with Salma Hayek as the wise and spiritual leader Ajak, and Angelina Jolie as the fierce warrior Thena.
 
Chloé Zhao directs the film, and Kevin Feige and Nate Moore are the producers, with Louis D’Esposito, Victoria Alonso and Kevin de la Noy serving as executive producers. The screen story is by Ryan Firpo & Kaz Firpo, and the screenplay is by Chloé Zhao and Chloé Zhao & Patrick Burleigh and Ryan Firpo & Kaz Firpo.
 
Jeremy [Six Strings]

Hollywood Records: "Y: THE LAST MAN" music by Herdís Stefánsdóttir


Hollywood Records digitally releases the lead single "Requiem" by Herdís Stefánsdóttir from Y: THE LAST MAN Original Soundtrack for purchase and streaming. The single acts as the main titles for the series, and was composed as a "Requiem" for the lost men.
 
Speaking about the single, Icelandic composer Herdís Stefánsdóttir described, "Requiem was the first track I composed for Y: The Last Man. I recorded a cluster of female voices sometimes clashing and sometimes in harmony wanting to create a unanimous scream of despair, the primal scream." She continued, "The Requiem represents the internal feeling, the loss and serves as a remembrance of a fallen world."
 
A drama based on DC Comics’ acclaimed series by Brian K. Vaughan and Pia Guerra, Y: The Last Man traverses a post-apocalyptic world in which a cataclysmic event decimates every mammal with a Y chromosome but for one cisgender man and his pet monkey. The series follows the survivors in this new world as they struggle with their efforts to restore what was lost and the opportunity to build something better.
 
The ensemble cast features Diane Lane as “Jennifer Brown,” Ashley Romans as “Agent 355,” Ben Schnetzer as “Yorick Brown,” Olivia Thirlby as “Hero Brown,” Amber Tamblyn as “Kimberly Campbell Cunningham,” Marin Ireland as “Nora Brady,” Diana Bang as “Dr. Allison Mann,” Elliot Fletcher as “Sam Jordan,” Juliana Canfield as “Beth Deville” and Missi Pyle as “Roxanne.” All episodes of the season will be directed by women and the production has a significant number of female department heads, including both DPs, the production designer, costume designer, casting director, editors, stunt coordinator and more.
 
Developed for television by Eliza Clark, who serves as show-runner and executive producer along with Nina Jacobson and Brad Simpson, Mari Jo Winkler-Ioffreda, Brian K. Vaughan and Pia Guerra. Coleman Herbert is Co-Executive Producer, with Nellie Reed and Anna Beben as Producers. Y: The Last Man is produced by FX Productions.
 
Y: The Last Man is a 60-issue science fiction comic book series published beginning in 2002. It received three Eisner Awards, and was nominated for the first Hugo Award for Best Graphic Story for Y: The Last Man, Volume 10.

Herdís Stefánsdóttir is a composer of music for multimedia, a songwriter, and an electronic musician. Her compositional endeavors — installations in museums, dance, theatre, and a successful electronic music duet she is a part of – are establishing her as an expansive artist.
 
Herdís Stefánsdóttir graduated with an M.A. degree in film scoring from New York University in 2017. Since graduation she has scored two feature films, an HBO series and a few short films. Her scoring work includes FX series Y the Last Man, Ry Russo-Young’s MGM/Warner Bros. feature film The Sun Is Also a Star and the HBO series We’re Here. Herdís was nominated for The Icelandic Music Awards for her score in The Sun Is Also A Star.
 
Herdís interned for the Oscar nominated composer Jóhann Jóhannsson in Berlin while he was working on the film Arrival (2016) and she has scored numerous short films that have premiered at top-tier festivals around the world like Berlinale, TIFF, Sundance and Palm Springs International Film Festival. Herdís formed her electro-pop duo East of My Youth in 2015. East of My Youth’s music has been described as sensual and addictive as getting your tongue frozen to a glacier of pure honey (jajaja music). The duo has showcased at SxSW, Eurosonic Noorderslag, KEXP, Sonar Reykjavík and Iceland Airwaves.
 
Born in Reykjavík, Iceland, Herdís currently lives between Los Angeles and Reykjavík, where she works as a composer. 
 
Jeremy [Six Strings]

Hollywood Records: “THE LAST DUEL” music by Harry Gregson-Williams


The Last Duel Original Motion Picture Soundtrack is available today from Hollywood Records.  Celebrated composer Harry Gregson-Williams, who has worked with the film's director Ridley Scott numerous times over the past decade (The Martian, Kingdom of Heaven), perfectly captures both the drama and the period of the film.  Recorded in Los Angeles, the original score for "The Last Duel" was performed by a large orchestra and choir, in addition to featuring medieval instruments, including wooden flutes, hammer dulcimers, a consort of viols, a cathedral organ and a lute.  Gregson-Williams also worked with some exceptional and much in demand vocalists: Grace Davidson, who is one of Britain's leading sopranos is featured alongside the outstanding counter-tenor, Iestyn Davies.  Gregson-Williams had worked with Davies on Scott's "Kingdom of Heaven."  "The tone of his voice is so beautiful and is used in a very haunting way within the score," says Gregson-Williams about Davies. Accompanying these soloists was a vocal ensemble out of London called Voces8.  "There are just eight of them, and they are very, very precise (out of necessity) and the sound they make has a purity and accuracy that is as unique as it is wonderful," Gregson-Williams says.

The film's main thematic feel was inspired by the track "Celui Que Je Désire" which Gregson-Williams wrote while the film was in production in Ireland and France and features Grace Davidson, which plays over the final scene of the film following the aftermath of the duel.  Notes Gregson-Williams, "I sent the song to Ridley and he reacted really well to it, so we decided to use the song's melody as a source of thematic material that could be used throughout the score."

"Ridley is full of ideas and questions when it comes to music. He gives me a clear direction for an overall feel and tone to the score that he's looking for.  He is an artist first and foremost, and I know that he paints rather well.  He might talk to me using expressions and language that apply to painting but they have a similar connotation with music," added Gregson-Williams.

ABOUT "THE LAST DUEL" "The Last Duel" is a gripping tale of betrayal and vengeance set against the brutality of 14th century France. A cinematic and thought-provoking drama set in the midst of the Hundred Years War, the film explores the ubiquitous power of men, the frailty of justice, and the strength and courage of one woman willing to stand alone in the service of truth. Based on actual events, the film unravels long-held assumptions about France's last sanctioned duel between Jean de Carrouges and Jacques Le Gris, two friends turned bitter rivals.

"The Last Duel" stars Oscar winner Matt Damon ("Good Will Hunting," "Ford v Ferrari"), two-time Academy Award nominee Adam Driver ("Marriage Story," "BlacKkKlansman"), Emmy winner Jodie Comer ("Killing Eve," "Free Guy"), two-time Oscar winner Ben Affleck ("Argo," "Good Will Hunting") and Harriet Walter ("Atonement," "Sense and Sensibility"). Directed by four-time Academy Award nominee Ridley Scott ("The Martian," "Black Hawk Down," "Gladiator," "Thelma & Louise") with a screenplay by Oscar nominee Nicole Holofcener ("Can You Ever Forgive Me?") & Ben Affleck & Matt Damon based on the book by Eric Jager. The film is produced by Ridley Scott, p,g.a., Kevin J. Walsh, p.g.a. ("Manchester by the Sea"), Jennifer Fox, p.g.a. ("Nightcrawler"), Nicole Holofcener, p.g.a., Matt Damon, p.g.a., Ben Affleck, p.g.a., with Kevin Halloran ("Ford v Ferrari"), Drew Vinton ("Promised Land"), Madison Ainley ("Justice League") serving as executive producers.

ABOUT HARRY GREGSON-WILLIAMS: One of Hollywood's most sought-after and prolific composers whose long list of film and television credits underscore the diverse range of his talents.  Gregson-Williams wrote the music for Disney's live action feature film "Mulan" which was directed by Niki Caro with whom he worked previously having scored her film "The Zookeeper's Wife."  Gregson-Williams also co-wrote the original song "Loyal Brave True" for "Mulan" performed by Christina Aguilera.  Upcoming projects for Gregson-Williams include "The Last Duel" and "House of Gucci" both directed by Ridley Scott. He was the composer on all four installments of the animated blockbuster "Shrek" franchise, garnering a BAFTA Award nomination for the score for the Oscar-winning "Shrek."  He received Golden Globe and Grammy Award nominations for his score for Andrew Adamson's "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe." He has collaborated multiple times with a number of directors, including Ben Affleck on "Live by Night," "The Town" and "Gone Baby Gone"; Joel Schumacher on "Twelve," "The Number 23," "Veronica Guerin" and "Phone Booth"; Tony Scott on "Unstoppable," "The Taking of Pelham 1 2 3," "Déjà Vu," "Domino," "Man on Fire," "Spy Game" and "Enemy of the State"; Ridley Scott on "The Martian," "Prometheus," "Exodus: Gods and Kings," "Kingdom of Heaven" and the upcoming "The Last Duel" and "House of Gucci"; Bille August on "Return to Sender" and "Smilla's Sense of Snow"; Andrew Adamson on the "Shrek" series, the first two "Narnia" movies and "Mr. Pip"; and Antoine Fuqua on "The Replacement Killers," "The Equalizer," The Equalizer 2" and "Infinite." Some of his other recent film projects include the upcoming "The Ambush" directed by Pierre Morel, "Life in a Day 2020" directed Kevin Macdonald, "The Meg" directed by Jon Turteltaub, Aardman Animation's "Early Man" directed by Nick Park for which he received an Annie Award nomination and Disneynature's "Penguins."  His television credits include "Whiskey Cavalier," the miniseries "Catch-22" and creating the main title theme and scoring two episodes of the anthology series "Philip K. Dick's Electric Dreams" for which he received an Emmy nomination for the episode titled "The Commuter."
 
Jeremy [Six Strings]

Hollywood Records: “JUST BEYOND” music by Carlos Rafael Rivera


The JUST BEYOND ORIGINAL SOUNDTRACK was released today via Hollywood Records and is now available on all digital platforms. The original score was composed and produced by acclaimed, two-time Emmy Award-winning composer, Carlos Rafael Rivera (“The Queen’s Gambit,” “Hacks,” “A Walk Among The Tombstones”) who deftly captures the essence of each storyline in the eight-episode series and had this to say about the project, “Scoring a Disney Project has been a lifelong dream, not only in getting to work with the likes of Seth Grahame-Smith and Marc Webb, but being part of the musical story telling that makes us all feel that Disney magic!” JUST BEYOND is now available to stream on Disney+.


Inspired by the writings of R.L. Stine, “Just Beyond” is an eight-episode anthology series that tells astonishing and thought-provoking stories of a reality just beyond the one we know. Each episode introduces viewers to a new cast of characters who must go on a surprising journey of self-discovery in a supernatural world of witches, aliens, ghosts and parallel universes.
 
Seth Grahame-Smith is writer and showrunner of “Just Beyond.” The series, based on the BOOM! Studios graphic novels by R.L. Stine, is executive produced by Grahame-Smith, David Katzenberg and Aaron Schmidt via KatzSmith Productions. David Walpert and Marc Webb also serve as executive producers alongside Ross Richie, Stephen Christy and Mark Ambrose of BOOM!. Stine is attached as co-executive producer. “Just Beyond” is produced by 20th Television, a part of Disney Television Studios.
 
CARLOS RAFAEL RIVERA is an Emmy and SCL winning composer, whose career has spanned several genres of the music industry. Having scored one of the most viewed NETFLIX Limited Series of all time, THE QUEEN’S GAMBIT, starring Anya Taylor-Joy, and helmed by writer/director Scott Frank. Carlos won a Primetime Emmy Award for THE QUEEN’S GAMBIT and was nominated for World Soundtrack Awards’ TV Composer of the Year, while having received an SCL (Society of Composers and Lyricists), a Hollywood Music in Media (HMMA), and two International Film Critics Association (IFMCA) Awards.
 
His work for Film and TV includes scores for Netflix’ GODLESS, for which he also received a Primetime Emmy, Universal Pictures’ A WALK AMONG THE TOMBSTONES, starring Liam Neeson, the hit TV show and 15-time EMMY nominated show HACKS for HBO Max, starring Jean Smart, as well as JUST BEYOND for DISNEY +, and LA REINA DEL SUR 3 for TELEMUNDO.
 
Jeremy [Six Strings]

Hollywood Records: "WHAT IF...THE WATCHER BROKE HIS OATH?" (EPISODE 9) Muisc by Laura Karpman


What If…The Watcher Broke His Oath? the final episode of season one, features score by Emmy-winning composer Laura Karpman. The score was produced by Karpman and Nora Kroll-Rosenbaum and album producers are Brad Winderbaum, Bryan Andrews and Dave Jordan.

Reflecting on the season, Karpman commented on each episode:

What If...Captain Carter Were the First Avenger? (Ep.1)

“I am so proud to be the composer of 'What If…?’  Victoria Alonso, Kevin Feige, Brad Winderbaum and Bryan Andrews gave me the perfect composer playground, rooted in the Marvel experience and the freedom to explore outside of it! In episode one, I got to play with the traditional sound for Captain America and transform it. What a great experience!”

What If...T’Challa Became a Star-Lord? (Ep. 2)

“Episode 2 is a mashup of themes from ‘Guardians of the Galaxy’ and ‘Black Panther’ – they surprisingly go well together. We also very much honor our beloved Chadwick Boseman with a musical tribute.”

What If…The World Lost Its Mightiest Heroes? (Ep. 3)

“'What If… the World Lost Its Mightiest Heroes?’  is a mystery-thriller and the score makes the most of this mini-movie! It is truly epic!”

What If…Doctor Strange Lost His Heart Instead of His Hands? (Ep.4)

“Stephen and Christina have a big and ultimately tragic love story. It made my heart hurt to score it, but it was an honor to be able to support this incredibly beautiful story.”

What If…Zombies?!  (Ep.5)

“When the zombies find their way into the MCU, the score gets weird, wacky and ultimately super scary!”

What If…Killmonger Rescued Tony Stark? (Ep. 6)

“One of the things that I love about Ludwig’s ‘Black Panther’ score, is that Killmonger is represented by an 808 sound. I took that sound and exploded it to make something new for our show!”

What If…Thor Was an Only Child? (Ep. 7)

“The party episode! A romantic comedy! Scary mother! What a fun time we had with this circus.”

What If…Ultron Won? (Ep. 8)

“The Watcher’s identity is put to the test, as well as The Watcher theme: The score incorporates The Watcher’s traditional orchestration with signature electronics that grow and grow, as Ultron‘s power expands.

What If…The Watcher Broke His Oath? (Ep. 9)

“Finally in episode nine, The Watcher emerges as a powerful force. The Guardians Of The Multiverse are born and so is their epic new theme.”

“What If...?” flips the script on the MCU, reimagining famous events from the films in unexpected ways. Marvel Studios’ first animated series focuses on different heroes from the MCU, featuring a voice cast that includes a host of stars who reprise their roles. Directed by Bryan Andrews with AC Bradley as head writer, “What If...?” launched exclusively on Disney+ on August 11, 2021.

Karpman creates powerful, imaginative scores that push the boundaries of storytelling. Her award-winning music, spanning film, television, theater, interactive media and live performance, reflects an audaciously creative, prodigious, fresh spirit. Karpman collaborates with the most creative filmmakers of our time, including Misha Green, Steven Spielberg, Alex Gibney, Kasi Lemmons, Rory Kennedy, Sam Pollard, Laura Nix plus Eleanor, Francis Ford and Sophia Coppola.   The five-time Emmy winner’s scores span the HBO hit series Lovecraft Country, 2020 Oscar-nominated Walk Run Cha-Cha, and the Discovery Channel docuseries Why We Hate, for which she recently won an Emmy Award.
 
Jeremy [Six Strings]

Hollywood Records: "ORDINARY JOE" [EP]


Hollywood Records releases the soundtrack EP to the 20th Television/NBC new original series Ordinary Joe. Spanning the first three episodes, the EP includes a select mix of original songs: the uplifting “Soldier On,” and tender ballad “Landing,” and two covers: James Taylor’s timeless “Fire and Rain” and Bright Eyes’ emotionally powerful “First Day of My Life.”  All songs are beautifully performed by the show’s star Jimmy Wolk, who plays the title character Joe Kimbreau. A new song from each week’s episode will be released every Friday.

Ordinary Joe airs on Mondays at 10pm PT/ET, immediately following The Voice. Streaming on Peacock the next day.

Regarding the creation of the original music for the show, co-songwriter/co-producer Sam Hollander said, “It’s been an absolute dream for Josh Edmonson (co-songwriter/co-producer) and myself crafting Joe Kimbrough’s journey into song throughout Ordinary Joe. Connecting Joe's lyrical voice to the narrative has truly been one of the most exciting experiences of both our careers. We’re so grateful to the show’s brilliant writers and producers, the music teams at both 20th Television and NBC, Jen Ross and most importantly the hardest working man in showbiz- and quite the possibly the loveliest fella on earth- James Wolk, who brings endless passion and magic to the studio on a daily basis.”

Life is all about the choices you make – and sometimes what you do in a single moment can change everything. This new heartfelt, life-affirming drama follows Joe Kimbreau, who faces one of these decisions at his college graduation. The three parallel stories that diverge from that night find Joe and the people around him with different careers, relationships, and family lives, showing the unexpected ways that things change – and stay the same. But when it comes down to it, there is no “right” choice; no matter what happens, Joe’s life is always messy, exciting, tough, unpredictable … and beautiful.

The cast includes James Wolk, Natalie Martinez, Elizabeth Lail and Charlie Barnett.

Russel Friend and Garrett Lerner will write and executive produce along with executive producers Matt Reeves, Adam Kassan, Rafi Crohn, Howard Klein. Adam Davidson will direct, and executive produce the pilot episode.  

Ordinary Joe is produced by 20th Television, Universal Television, a division of Universal Studio Group, 6th & Idaho, 3 Arts.
 
Jeremy [Six Strings]

Hollywood Records: "What If…Ultron Won? (Episode 8)" music by Laura Karpman


What If…Ultron Won? (Episode 8) features score by Emmy -winning composer Laura Karpman. The score was produced by Karpman and Nora Kroll-Rosenbaum and album producers are Brad Winderbaum, Bryan Andrews and Dave Jordan.
 
Release dates for all 9 soundtracks follow:
 
Aug. 13:         What If...Captain Carter Were the First Avenger? (Ep.1)
Aug. 20:         What If...T’Challa Became a Star-Lord? (Ep. 2)
Aug. 27:         What If…The World Lost Its Mightiest Heroes? (Ep. 3)
Sept. 3:          What If…Doctor Strange Lost His Heart Instead of His Hands? (Ep.4)
Sept. 10:        What If…Zombies?!  (Ep.5)
Sept. 17         What If…What If…Killmonger Rescued Tony Stark? ( Ep. 6)
Sept. 24:        What If…What If… Thor Was an Only Child? (Ep. 7)
Oct. 1:            What If…Ultron Won? (Ep. 8)
Oct. 8:            What If…? Episode 9
 
“What If...?” flips the script on the MCU, reimagining famous events from the films in unexpected ways. Marvel Studios’ first animated series focuses on different heroes from the MCU, featuring a voice cast that includes a host of stars who reprise their roles. Directed by Bryan Andrews with AC Bradley as head writer, “What If...?” launched exclusively on Disney+ on August 11, 2021.
 
Karpman creates powerful, imaginative scores that push the boundaries of storytelling. Her award-winning music, spanning film, television, theater, interactive media and live performance, reflects an audaciously creative, prodigious, fresh spirit. Karpman collaborates with the most creative filmmakers of our time, including Misha Green, Steven Spielberg, Alex Gibney, Kasi Lemmons, Rory Kennedy, Sam Pollard, Laura Nix plus Eleanor, Francis Ford and Sophia Coppola.   The five-time Emmy winner’s scores span the HBO hit series Lovecraft Country, 2020 Oscar-nominated Walk Run Cha-Cha, and the Discovery Channel docuseries Why We Hate, for which she recently won an Emmy Award.   
 
Jeremy [Six Strings]

Hollywood Records: "What If…Thor Was an Only Child?" music by Laura Karpman


What If…Thor Was an Only Child? (Episode 7) features score by Emmy -winning composer Laura Karpman. The score was produced by Karpman and Nora Kroll-Rosenbaum and album producers are Brad Winderbaum, Bryan Andrews and Dave Jordan.

Release dates for all 9 soundtracks follow:

Aug. 13:         What If...Captain Carter Were the First Avenger? (Ep.1)
Aug. 20:         What If...T’Challa Became a Star-Lord? (Ep. 2)
Aug. 27:         What If…The World Lost Its Mightiest Heroes? (Ep. 3)
Sept. 3:          What If…Doctor Strange Lost His Heart Instead of His Hands? (Ep.4)
Sept. 10:        What If…Zombies?!  (Ep.5)
Sept. 17         What If…What If…Killmonger Rescued Tony Stark? ( Ep. 6)
Sept. 24:        What If…What If… Thor Was an Only Child? (Ep. 7)
Oct. 1:            What If…? Episode 8
Oct. 8:             What If…? Episode 9

“What If...?” flips the script on the MCU, reimagining famous events from the films in unexpected ways. Marvel Studios’ first animated series focuses on different heroes from the MCU, featuring a voice cast that includes a host of stars who reprise their roles. Directed by Bryan Andrews with AC Bradley as head writer, “What If...?” launched exclusively on Disney+ on August 11, 2021.

Karpman creates powerful, imaginative scores that push the boundaries of storytelling. Her award-winning music, spanning film, television, theater, interactive media and live performance, reflects an audaciously creative, prodigious, fresh spirit. Karpman collaborates with the most creative filmmakers of our time, including Misha Green, Steven Spielberg, Alex Gibney, Kasi Lemmons, Rory Kennedy, Sam Pollard, Laura Nix plus Eleanor, Francis Ford and Sophia Coppola.   The five-time Emmy winner’s scores span the HBO hit series Lovecraft Country, 2020 Oscar-nominated Walk Run Cha-Cha, and the Discovery Channel docuseries Why We Hate, for which she recently won an Emmy Award. 
 
Jeremy [Six Strings]

Hollywood Records: "What If…Killmonger Rescued Tony Stark?" music by Laura Karpman


What If…Killmonger Rescued Tony Stark? (Episode 6) features score by Emmy®-winning composer Laura Karpman. The score was produced by Karpman and Nora Kroll-Rosenbaum and album producers are Brad Winderbaum, Bryan Andrews and Dave Jordan.

Release dates for all 9 soundtracks follows:

Aug. 13:         What If...Captain Carter Were the First Avenger? (Ep.1)
Aug. 20:         What If...T’Challa Became a Star-Lord? (Ep. 2)
Aug. 27:         What If…The World Lost Its Mightiest Heroes? (Ep. 3)
Sept. 3:          What If…Doctor Strange Lost His Heart Instead of His Hands? (Ep.4)
Sept. 10:        What If…Zombies?!  (Ep.5)
Sept. 17         What If…What If…Killmonger Rescued Tony Stark? ( Ep. 6)
Sept. 24:        What If…? Episode 7
Oct. 1:            What If…? Episode 8
Oct. 8:             What If…? Episode 9

“What If...?” flips the script on the MCU, reimagining famous events from the films in unexpected ways. Marvel Studios’ first animated series focuses on different heroes from the MCU, featuring a voice cast that includes a host of stars who reprise their roles. Directed by Bryan Andrews with AC Bradley as head writer, “What If...?” launched exclusively on Disney+ on August 11, 2021.

Karpman creates powerful, imaginative scores that push the boundaries of storytelling. Her award-winning music, spanning film, television, theater, interactive media and live performance, reflects an audaciously creative, prodigious, fresh spirit. Karpman collaborates with the most creative filmmakers of our time, including Misha Green, Steven Spielberg, Alex Gibney, Kasi Lemmons, Rory Kennedy, Sam Pollard, Laura Nix plus Eleanor, Francis Ford and Sophia Coppola.   The five-time Emmy winner’s scores span the HBO hit series Lovecraft Country, 2020 Oscar-nominated Walk Run Cha-Cha, and the Discovery Channel docuseries Why We Hate, for which she recently won an Emmy Award.
 
Jeremy [Six Strings]

Hollywood Records: "THE EYES OF TAMMY FAYE" score by Theodore Shapiro and Various songs by Cast and More!


The Eyes of Tammy Faye Original Motion Picture Soundtrack and Original Score album are available today from Hollywood Records.   The Original Motion Picture Soundtrack features songs performed in the Searchlight Pictures film which were produced by six-time Grammy®-winning music producer Dave Cobb (Chris Stapleton, Brandi Carlile).  Songs were recorded at the Historic RCA Studio A in Nashville, TN. 
  

Emmy®-nominated composer, Theodore Shapiro (Bombshell, Destroyer) composed and produced the Original Score album, which was recorded at Abbey Road Studios in London.

Directed by Michael Showalter and written by Abe Sylvia, The Eyes of Tammy Faye is produced by Jessica Chastain, p.g.a., Kelly Carmichael, p.g.a., Rachel Shane, p.g.a., and Gigi Pritzker.  The film stars Chastain, Andrew Garfield, Cherry Jones, and Vincent D’Onofrio.

Chastain, whose previous musical experience was limited to college, performs songs in the film. Drawing inspiration from Tammy Faye, she dove right into an area outside of her comfort zone. “She was never embarrassed,” the actress added. “People were drawn to her because she was unique. She used her platform to advocate for a celebration of our differences, and knowing that made it easier for me to perform.”

The Eyes of Tammy Faye is an intimate look at the extraordinary rise, fall and redemption of televangelist Tammy Faye Bakker. In the 1970s and 80s, Tammy Faye and her husband, Jim Bakker, rose from humble beginnings to create the world’s largest religious broadcasting network and theme park, and were revered for their message of love, acceptance and prosperity. Tammy Faye was legendary for her indelible eyelashes, her idiosyncratic singing, and her eagerness to embrace people from all walks of life. However, it wasn’t long before financial improprieties, scheming rivals, and scandal toppled their carefully constructed empire.
 
The Eyes of Tammy Faye Trailer: https://youtu.be/eMMLRnXPPJk
 
Jeremy [Six Strings]

Hollywood Records: "What If…Zombies?! (Episode 5)" music by Laura Karpman


What If…Zombies?! (Episode 5) features score by Emmy®-winning composer Laura Karpman. The score was produced by Karpman and Nora Kroll-Rosenbaum and album producers are Brad Winderbaum, Bryan Andrews and Dave Jordan.

Release dates for all 9 soundtracks follow:

Aug. 13:         What If...Captain Carter Were the First Avenger? (Ep.1)
Aug. 20:         What If...T’Challa Became a Star-Lord? (Ep. 2)
Aug. 27:         What If…The World Lost Its Mightiest Heroes? (Ep. 3)
Sept. 3:          What If…Doctor Strange Lost His Heart Instead of His Hands?
Sept. 10:        What If…Zombies?! (Ep. 5)
Sept. 17         What If…? Episode 6
Sept. 24:        What If…? Episode 7
Oct. 1:           What If…? Episode 8
Oct. 8:           What If…? Episode 9

“What If...?” flips the script on the MCU, re-imagining famous events from the films in unexpected ways. Marvel Studios’ first animated series focuses on different heroes from the MCU, featuring a voice cast that includes a host of stars who reprise their roles. Directed by Bryan Andrews with AC Bradley as head writer, “What If...?” launched exclusively on Disney+ on August 11, 2021.

Karpman creates powerful, imaginative scores that push the boundaries of storytelling. Her award-winning music, spanning film, television, theater, interactive media and live performance, reflects an audaciously creative, prodigious, fresh spirit. Karpman collaborates with the most creative filmmakers of our time, including Misha Green, Steven Spielberg, Alex Gibney, Kasi Lemmons, Rory Kennedy, Sam Pollard, Laura Nix plus Eleanor, Francis Ford and Sophia Coppola.   The five-time Emmy winner’s scores span the HBO hit series Lovecraft Country, 2020 Oscar-nominated Walk Run Cha-Cha, and the Discovery Channel docuseries Why We Hate, for which she recently won an Emmy Award. 
 
Jeremy [Six Strings]

NEW STORY TRAILER RELEASED FOR MARVEL’S GUARDIANS OF THE GALAXY, ALONGSIDE SINGLE FROM STAR-LORD BAND


Eidos-Montréal has released a new trailer detailing the out-of-this-world narrative adventure that awaits in Marvel’s Guardians of the Galaxy. Set in the wake of an epic conflict known as the Galactic War, Marvel’s Guardians of the Galaxy invites players to walk a lightyear in Peter Quill’s jet boots and lead his band of misfit heroes-for-hire across the cosmos in search of glory, riches, and a way out of whatever mess they’ve gotten themselves into this time.

Watch the trailer [CLICK HERE]

In the new trailer, Grand Unifier Raker brings Star-Lord, Drax, Gamora, Rocket and Groot to the Universal Church of Truth, where the Guardians bear witness to a cult-like ritual before the mysterious Matriarch. Grand Unifier Raker states that the Matriarch wishes to share with them a truth — one that can supposedly end all grief and suffering. In true Guardians’ fashion, things go spectacularly sideways, and they somehow manage to get half the galaxy on their back... The Guardians will have to step up and show what they are made of to save the Galaxy.

The video also features appearances by characters including the Xandarian Worldmind, as well as everyone’s favorite telepathic Russian space dog, Cosmo.

Moreover, the trailer’s action is amplified by the sounds of a new track from the Star-Lord Band, titled “Space Riders (With No Names)” In the Marvel’s Guardians of the Galaxy universe, Star-Lord is the name of Peter Quill’s favorite rock band, which eventually inspires his iconic moniker. The “Space Riders (With No Names)” single is available now in digital music stores, as well as part of a Marvel’s Guardians of the Galaxy Spotify playlist featuring ten licensed songs from the game.

"Space Riders with No Names" (Music from Marvel’s Guardians of the Galaxy: Original Video Game Soundtrack) is available here.

Marvel’s Guardians of the Galaxy will be available on PlayStation®5 console, PlayStation®4 console, Xbox Series X|S and Xbox One consoles, PC, and streaming via GeForce NOW on October 26, 2021. Marvel's Guardians of the Galaxy: Cloud Version for Nintendo Switch also coming to select regions October 26.
 
Jeremy [Six Strings]