ScreamWorks Records presents Wojciech Golczewski’s chilling industrial ambience score for We Are Still Here, directed by Ted Geoghegan. The haunted house horror takes place in the cold, wintery fields of New England where an isolated house wakes up every thirty years to demand a sacrifice. Its current victims are Paul (Andrew Sensenig) and Anne (Barbara Crampton), a couple who moves to their new home following the tragic death of their son who was killed in a car crash. The grieving couple becomes the target of vengeful spirits who prove to be dangerous tenants, holding the key to the dark secrets of the seemingly peaceful town. Instead of starting the healing process, Paul and Anne must fight back the ghosts who not only want them, but their lost son as well...
“The concept behind the film's music was to make it feel eerily organic and, unlike traditional horror tracks, treat it like proper sound design" explains the composer. “This is by far the most minimal score I’ve done so far. Our idea was to create the score that reflects the house as some kind of a living being. The base for the score is some eerie tones i wanted to reflect the house atmosphere, tones that are almost like a "still" air inside the house, that can change the mood in a sec. Some kind of acoustic vibrations in the air. On top of that we decide to use very simple themes and harmonics that are more of a human nature and reflect our characters and their emotions."
“The concept behind the film's music was to make it feel eerily organic and, unlike traditional horror tracks, treat it like proper sound design" explains the composer. “This is by far the most minimal score I’ve done so far. Our idea was to create the score that reflects the house as some kind of a living being. The base for the score is some eerie tones i wanted to reflect the house atmosphere, tones that are almost like a "still" air inside the house, that can change the mood in a sec. Some kind of acoustic vibrations in the air. On top of that we decide to use very simple themes and harmonics that are more of a human nature and reflect our characters and their emotions."
Born in 1980, Wojciech Golczewski taught himself music alongside his studies at the Academy of Fine Arts in Poznan. His musical career started in the European demo scene, an art subculture where artists show of their programming and musical skills in so called demos. Following a career in composing for video games which included PlayStation 3 titles like Linger in Shadows and Datura (2012), the composer scored his first feature film with Eraser Children (2009), an Australian sci-fi. His other recent scores include the Norwegian thriller Dark Souls (2010), the Icelandic crime thriller City State (2011) and the werewolf film Late Phases (2014) .
Screamworks Records | http://www.screamworksrecords.com
Just Announced... wow from what I have seen and now what I have heard, this one is going to be a heart stopper!
Jeremy [The Wolf]
No comments:
Post a Comment