One of the stars of the film is, undoubtedly, a man behind the scenes: Leonard Rosenman. It was clear to Rosenman and Scott Goldstein that the score should have a progressive, rather than conventional harmonic structure. They agreed that this would help to underscore Merrick’s (the antagonist) horrific, troubling visions and this approach would help capture his state of mind musically. Goldstein suggested Rosenman play him some of his concert music as a blueprint for “Ambition”. Encouraged to be able to draw upon his “progressive” work for the concert stage, Rosenman presented Goldstein with “Foci”, a work for chamber orchestra that the composer had written in 1981 and revised in 1983. Goldstein loved what he heard and commenced to use “Foci” as temp music for “Ambition”. “Foci” is an atonal piece, complex and full of anxiety – exactly what Goldstein needed for his motion picture.
Honestly never heard of this film, but know the actors and definitely know the work of this composer. Starting out strong as we take the path of a little innocence, we begin to feel it's certain stength and musical intentions. Suspense and intrigue are as to follow, nice use of plotting sounds and a theme that hold their own. [http://caldera-records.com/]
Honestly never heard of this film, but know the actors and definitely know the work of this composer. Starting out strong as we take the path of a little innocence, we begin to feel it's certain stength and musical intentions. Suspense and intrigue are as to follow, nice use of plotting sounds and a theme that hold their own. [http://caldera-records.com/]
Jeremy [Six Strings]
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