Varèse Sarabande will release the AMERICAN ULTRA – Original Motion Picture Soundtrack digitally on September 25, 2015. The album features original music by composer Marcelo Zarvos (ROCK THE KASBAH, THE AFFAIR) with additional original music by Orbital’s Paul Hartnoll (TORMENTED, PEAKY BLINDERS)
Brazilian-born Marcelo Zarvos (THE AFFAIR, RAY DONOVAN) burst onto the indie film landscape in 2001 with his score for KISSING JESSICA STEIN and in 2004 with the film adaptation of the John Irving novel, THE DOOR IN THE FLOOR. Though Zarvos’ training began by studying classical music in his teens he later began delving into jazz and world music. This expansion of influence helped to create Zarvos’ trademark sound - a seamless blend of classical, orchestral, rock, electronic and various ethnic and folk elements, together create uniquely affecting and emotionally charged music.
Zarvos, who earned his BFA from Cal Arts, was named one of the 25 New Faces of Indie Film in 2004 by FilmMaker Magazine. His film credits include THE DOOR IN THE FLOOR, ENOUGH SAID, THE GOOD SHEPHERD, THE WORDS, BROOKLYN’S FINEST, THE FACE OF LOVE, REACHING FOR THE MOON (FLORES RARAS), SIN NOMBRE and HOLLYWOODLAND. Zarvos has been nominated for two Primetime Emmy Awards (for YOU DON’T KNOW JACK and TAKING CHANCE) and two HMMA Awards for BROOKLYN’S FINEST and ENOUGH SAID. His television work includes the hit Showtime series THE AFFAIR, RAY DONOVAN, THE BIG C and the HBO movie PHIL SPECTOR. Zarvos’ upcoming projects include an adaptation of the John le Carré novel OUR KIND OF TRAITOR, ROCK THE KASBAH, and the sci-fi thriller CELL.
“Paul comes from the pop world and I obviously come from film,” said Zarvos. “I think the idea was to blend those two worlds into a cohesive whole.”
“I’d had chat with Nima, the director. We spoke about the various themes and styles that would be needed for the film,” Hartnoll explained. “Nima’s main directions were ‘make it more organic with the drums’, he wanted them to have a primal feel. Another one was ‘do something that would kick off at the Glastonbury Festival’, and ‘more wrapped, more twisted!’ All words as a composer, you want to hear!”
Paul Hartnoll is a British writer, producer and composer of music, widely recognized for his pioneering work with the band Orbital. Known for their innovations in electronic music, Orbital were equally famed for their blend of visual presentation and live performance - an approach born of the same audio-visual sensibility that informs Paul's work to this day. Over the span of their 25-year career, Orbital toured extensively and released eight albums, culminating in a performance at the 2012 London Paralympics Opening Ceremony with Professor Stephen Hawking.
Whilst Orbital's music has been licensed to feature films including Hackers, Mortal Kombat, and Mean Girls, the band also scored and composed new material for movies and television including Event Horizon, The Saint, The Beach", xXx, and Pusher. As a composer Paul has written music for many commercial campaigns, with clients including Volkswagen, Range Rover, Rolex, Ralph Lauren, and the NSPCC. Though primarily associated with electronic music, Paul's stated and audible influences have always leant towards to the cinematic, with frequent nods to John Barry and Ennio Morricone via the machine led sensibilities of Kraftwerk and the upstart instincts of do-it-yourself punk. His movie and television work has included music for the film TORMENTED and scoring the second season of the BBC Series PEAKY BLINDERS.
Lionsgate Film presents AMERICAN ULTRA currently in theaters. Varèse Sarabande will release the AMERICAN ULTRA – Original Motion Picture Soundtrack digitally on September 25, 2015.
Varese Sarabande | http://www.varesesarabande.com
The film wasn't too accepted, but the score is a whole different world of cool!
Jeremy [The Wolf]
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